On April 12th 2011 Thereza very kindly answered ALL the questions submitted by fans on the forum. I would like to take this opportunity to say a very BIG THANK YOU to Thereza for doing this for us. Her answers were honest and very in depth, and once you have read them I'm sure you'll agree that they give a great insight into her time with Dollar, and also before and after Dollar. I'd also like to thank you guys for submitted some great questions, it was a real honour to present them to Thereza. I'd also like to thank Alan Connor for setting this up. I have used the forum member's usernames to identify each person's question(s).

Thereza also chose her favourite question from all the questions submitted, and the lucky winner is 'Sentinal' (Mike) for his question, Which compositions are you most proud of? Congratulations to 'Sentinal', and as promised a dedicated signed photo from Thereza is on it's way to you.

wattspd: I would like to ask if you can recall two of your most memorable highlights when in Dollar?

Thereza: Oh my goodness... An easy one to begin with huh! OK, two of the most memorable highlights. One of them would have been arriving back into Heathrow from Paris having done a TV show. It was when 'Love's Gotta Hold On Me' was just climbing up the charts. We had to run and find a payphone and phoned up the record company and they told us that it had jumped high enough and we were on Top Of The Pops. That was really exceptional because it jumped much more than we thought it would. That was really very cool... Very very cool!
Erm, another one... I think when 'Mirror Mirror' hit top 10 Christmas time, that's very special to be a No.4 hit at Christmas. The video had all the snow in it and it was very Christmassy, it was on all the time, and the record was played all the time everywhere. Although I cut my knee twice in the video, I cut my knee and then they said do it again and I said of course and jumped through the window again. That's because the sugar glass windows that you have made are meant to be paper thin and you just shove it and it breaks. Well, everything of course was on a budget so the sugar glass windows were perhaps about a centimetre thick. And of course when you shoved it it didn't break at all so you had to go through it with so much force, and then it didn't shatter the way it's meant to that's why I got cut.

alanconnor_1: What was the experience of performing at the Yamaha Song Contest like?
Thereza: Erm... Performing at the Yamaha Song Contest... Very scary! Very very scary because I managed to finish writing the track the day before we were meant to go into the studio. We were actually performing at the Big Top Saturday night live show.  I was writing it in our caravan which was our changing room, and we went into the studio the next day to record it, and I finished it at 5AM!  I got home, had a shower, packed my case, lay on my bed but didn't go to sleep because the car was coming to take us to the airport to fly to Tokyo, and I think I slept the whole way on the plane. Got up, did press conferences and went straight there. And I think I was so, so sort of overwhelmed with everything. It was very scary, it was a massive stadium,  I think there were about 10,000 people. I was also nervous because I wasn't sure whether David would remember all the words. However I think he did actually (Thereza Laughs). Well ,we'd only recorded it the day before so he didn't have a chance to forget it!
alanconnor_1: Were there ever any discussions about who would produce new material in 1983?
Thereza: New material in '83? I don't really remember, I think there must have been serious discontent at that time. Maybe I needed a change of direction but not quite sure which way to go. I don't remember really thinking about who to talk to, but I know that David and I were, kind of not of the same opinion musically about which direction we should be going in, and I think I wanted to be probably more experimental. Anyway, anything post Trevor would have been very very hard, how can you top that? So I think I was perhaps just floundering, wondering what to do and I think probably that's why David maybe went off and did something on his own?
alanconnor_1: Do you remember where the video for 'We Walked In Love' was shot, and where the cover photos were taken?
Thereza: Oh I'm trying to remember. It was a Stately Home, and I can't remember where it was. It was gorgeous, I remember doing the photo shoot where actually it was a conservatory, and I remember lying on a slate floor, it was very cold and uncomfortable, but I just can't remember where the home was. So that was the photo shoot!. The production company hired an apartment and I think it would have been in the Docklands area, like St. Catherine's Dock, somewhere like that. We hired it out and pretended it was our place.
alanconnor_1: How was 'Haven't We Said Goodbye Before' chosen for a single?
Thereza: Gosh, I think it was definitely that we were perhaps looking for a change of direction, it was Anne Dudley who co-wrote that song.  A pretty solid good song, more American style perhaps. Maybe with a view to looking towards the American market? Sort of spreading out a little bit.  So I guess that was the reason. I think it was decided that it was going to be recorded, which is always a mistake. I think you should always have an idea of perhaps recording two or three tracks and then seeing which comes out best because sometimes think don't work out. So there were issues with it and we recorded it in Philadelphia and the end product wasn't really what we wanted so it was re-mixed again and it was much better. I like it actually, listening to it now, but it didn't quite work out as well as it should have done I don't think.
alanconnor_1: How did the Tommy J singles come about? Who was he?
Thereza: Tommy! Tommy! He basically had a friendship with a Radio 1 plugger that was employed to promote our records for radio. That's how I got to meet this lady, who at some point must have asked me was I interested in producing a record for a friend of hers, and I heard the tracks and thought I'd have a go. 

ropa: Thereza, Firstly I just wanted to say a huge thankyou for all your great music, and what a valuable escape the world of Dollar gave to me whilst growing up through what was quite a difficult childhood. Also, I was so devastated when you broke up in 1983! Secondly, do you wish Trevor Horn could have produced the whole of 'The Dollar Album' and do you think it would have been dramatically different if he had? I sometimes get the feeling that once he got a good reputation as a producer through the groundbreaking singles he produced for you, he then distanced himself from you, as he saw Dollar as being rather uncool and lightweight. I wonder what your thoughts are about this?
Thereza: Thanks, it's a pleasure. Firstly a big thankyou and any changes you can make to people's lives makes it worth while. And secondly, oh definitely, if Trevor had produced the whole album I think it would have been extraordinary, those were precious precious days. I wish he had have done, I wish he'd managed to make more records, but big changes were happening at the record label as well. It was all very hard and also extremely expensive, they did cost a fortune to make, and worth every penny as far as I'm concerned.
Probably would agree with that, I think we were definitely a pivotal moment in his career and thank God for that. It was great to be part of being instrumental in setting him on the road as a record producer, but I think that's probably fair, and it's a pretty harsh world out there, and that's what he felt he needed to do, but it would have been nice to have a whole album.

Alex: Hi Thereza, thanks so much for kindly allowing us the opportunity to ask you some questions. Which promo video did you have the most fun making?
Thereza: Oh goodness... I think 'Give Me Back My Heart' that was fun.
Alex: What was the song about which you worked on with Simon Darlow called 'Victims Of The Light Fantastic'. Was it written for any project in particular, and do any recordings of it exist?
Thereza: Oh my goodness... I have no idea. I can't even remember what it sounds like! Over to Simon, I'll ask him when I see him.
Alex: Do you have any plans to record or produce some new material, and are there any other artists or producers you would like to work with? Lots of love from Alex xx.
Thereza: Definitely, definitely... Watch this space!

simongreen: Were there any single choices you were unhappy with and what were they?
Thereza: Erm, I'm trying to think of the order of them. Yeah, 'Ring Ring' came out didn't it, that should never have been a single. It was released by Carrere after we left so that was not a good move. Record companies get greedy, and if they own it they can do what they like with it, so it wasn't very good for us.
simongreen: Were there any album tracks that you thought should have been singles and what were they? Finally, what Dollar songs are you most and least proud of?
Thereza: The Dollar song I am most proud of is 'Pink And Blue' definitely, I love that. Could it have been a single? Probably not, but a really lovely track. My least favourite is 'I Got Your Number Wrong' I'm not very happy with that, it wasn't really my cup of tea, that should probably have been somewhere else, but not on that album.

B_Beat: Hi Thereza, hope that you are well and have to say I love you and your music with Dollar and your album 'The Big Kiss'. Any chance of another Dollar single or some new material? Even released digitally through this site or something. I am sure everyone on here would simply love it if you both did something again!
Thereza: Don't see any Dollar tracks happening in the future, but you never know. There's a brand new project that I'm currently just beginning to get my teeth into, so you'll be able to hear something hopefully soon. Bigger and better I'd say.
B_Beat: When you did 'We Walked In Love' and 'Haven't We Said Goodbye Before' was there any plans to record an album after those two songs?
Thereza: I think when Dollar got back together again there would have been an album, and when you think about it the amount of time and effort we put into 'We Walked In Love' and working with Chris again it wouldn't have been that hard to have got an album together. But we just didn't, and I think when 'O L'Amour' happened it was probably down to mismanagement, that's the real key to it all.
B_Beat: Last but not least, I would like to know if there are any plans to release a DVD compilation with Dollar's music videos and performances on? That would be heaven!
Thereza: The best thing to do would be to send lots of Email's to Warner Bros record company and ask them the question.

Sean: I don't have an up to date e-mail address for Warners, but here is their postal address for anyone who wants to drop them a line... You never know, it might work!
Warner Music UK
The Warner Building
28 Kensington Church Street
London
W8 4EP

paddylad: Hi Thereza, what do you think of DVD's Rich and Famous group?
Thereza: Erm, David never ceases to amaze me. Erm, not my cup of tea. What could I possibly say? David is David, always up to something.
paddylad: Have you made/recorded any music recently? Would you consider releasing music digitally through this web site?
Thereza: I have been recording some demos recently and I'm about to go in the studio with a new project.
paddylad: Bucks Fizz are releasing a CD of reinterpretations of their old hits. Would you consider revamping/revisiting some of your favourite Dollar tracks?
Thereza: No, definitely not. Why would you do that?
paddylad: A relaxed life down under or under the spotlight on the stage?
Thereza: I think I prefer the former and now I've opted for the latter, a bit of each.
paddylad: Is there any other versions/mixes of Dollar Tracks like a Trevor Horn mix of 'Hand Held In Black And White' where your vocals were more dominant?
Thereza: No.

Rhino: If any of your children stepped in front of the spotlight in the hope of attaining pop stardom, would you consider managing or producing, or would it be a case of letting them find their own feet?
Thereza: Definitely letting them find their own feet, with guidance from a distance.
Rhino: Any chance of a date?
Thereza: (Thereza laughs)... Erm, just a bit busy at the moment, but thank you.

electrongreen: Have you ever considered someone like Almighty Records doing some remixes of your solo and Dollar records? They have done some great remixes. When I was a DJ people loved 'O L'Amour' and 'It's Nature's Way' but I always hoped someone would remix 'Give Me Back My Heart' 'Videotheque' 'Hand Held In Black And White' 'The Big Kiss' 'We Walked In Love' and 'Sugar Sugar'. There's a great remix of 'Shooting Star' on You Tube, so any chance of a remix LP. Sorry to go on but you are very much loved. xxxxxxxxx
Thereza: There's always a chance... Not sure. I think it would be pretty cool, I wouldn't object.

Olaf: If you ever work as a duo again what self-written song would it be and who would you have as a singing partner? Lots of Love, Olaf from Holland.
Thereza: Thanks for your question Olaf... I'll answer it in a lot more depth very soon.

Maurice: Hi Thereza, firstly thanks for agreeing to do this Q and A's. I have a few for you, if you can't answer them all I'll understand. After leaving Guys 'n' Dolls, if Dollar hadn't been a success, would you have considered a solo career at that time?
Thereza: Well, I was offered a solo career whilst David was looking for his solo career before we were offered a recording contract as Dollar, but I turned it down. So would I have taken up a solo career? Maybe, but we'll never know. (Thereza laughs).
Maurice: With all the Dollar songs, both A sides and album tracks, why did you choose to remake 'Give Me Back My Heart' for 'The Big Kiss' LP?
Thereza: Because the record company thought it could be a really really big hit for the US market and they suggested I did it.
Maurice: Looking back now after 'Pop Goes The Band' and 'Reborn In The USA', was it worth doing them, or would you have second thoughts about doing any further reality style programmes?
Thereza: Definitely not worth doing them, and I would never do anything again (Thereza laughs). It was not a good experience.
Maurice: 'The Big Kiss' was recorded in New York, that's right isn't it?
Thereza: Partly, half and half. The backing tracks with all the musicians were predominantly English and they were recorded at Ridge Farm in the UK. Then we went over and we did the vocals and some of the overdubs in New York.
Maurice: Were you trying to aim for the American music market at that time?
Thereza: Both UK and US.
Maurice: I met you once on the Christmas 'Here and Now' tour in Brighton, we were the Concorde Crew, remember? Anyway, we love Christmas and that was a great one for us. What's your favourite Christmas memory, either personal or professional?
Thereza: Probably 'Mirror Mirror' being a hit at Christmas, a great year and a great Christmas.
Maurice: What's next for Thereza Bazar?
Thereza: Watch this space!
Maurice: Do you feel that the newspapers and the press have been fair to you and Dollar over the years?
Thereza: Probably not, good and bad, but that's the press.
Maurice: David has been open and honest about his problems with drugs in the past. When did you learn of it, and how did you feel about that?
Thereza: I learnt about it after the event which is normal for David. It's not my place to comment really, it's his personal life. A lot of people do it and and he got caught, it's just one of those things. At least he's quite open about things which I think is just the way he handles things.
Maurice: Which artist either current or past would you have liked to duet with?
Thereza: Ooh, good question. Erm, Ronan Keating... I love Ronan Keating. I just love his voice and I love his songs, and his whole approach.
Maurice: We have had discussions here on this website regarding a second solo Thereza Bazar LP, was there ever any plans to release one, or could there be in the future?
Thereza: Not a solo album no, but something else.
Maurice: Can you see yourself and David working together again on any projects?
Thereza: No, highly doubtful (Thereza laughs). He's got Rich & Famous now.
Maurice: Finally, hope life down under has been good to you since you moved there, is that home from now on? Thanks for taking the time Thereza, thanks also to Sean and Alan for helping to make these questions to be asked. Thanks again, best wishes, Maurice xxx.
Thereza: Yeah, Australia is home, but every time I come back to the UK I feel like it's home too. I just wish it wasn't so far away, but I'm a pretty good flyer so that's alright. (Thereza laughs).

crawleyman: As others, firstly I'd like to say thank you for agreeing to answer some questions. I've got a couple, 'Love's Gotta Hold On Me' was one of your biggest hits and featured your vocals predominantly. 'Young Love' and 'Dangerous Blondes' are both fabulous songs, were either of those ever considered as a single release? Bearing in mind that you had your joint biggest hit with your vocal as lead. Why weren't there more singles with you on lead?
Thereza: Mmm, interesting question. We came up with the formula which was basically a heavily male lead vocal, and I was more sort of the window dressing and that's just as important. It doesn't matter that you don't have the lead vocal. David was meant to be singing lead on Love's Gotta Hold On Me, but it just wasn't working out very well and we had to get the album done. So Chris Neil who was our producer said why don't I go in and have a bash. It wasn't in my key which is why it's very high (Thereza laughs). It just happened to be a nice song with a summery sound and it was a big hit. But it didn't set a precedence that it was going to be more sharing of the lead vocals. And those album tracks, I think 'Young Love' is a really good track. I don't think I did a terribly good job with the vocal though really, I think it needed a heavier, slightly more rocky kind of vocal on it, but I think it's a good song. Radio is a really good track too.
crawleyman: Will there ever be a CD release of 'The Big Kiss'? That would be superb. Hugs x
Thereza: I don't know, I can't really answer that, I'm not sure.

julies65: Hi Thereza, would you be kind enough to answer a few of our questions for the Guys 'n' Dolls fans so we can add them to the Guys 'n' Dolls Fansite. What was your most memorable moment in Guys 'n' Dolls?
Thereza: Performing at the London Palladium, that was a really big thing for me. I always used to walk past there as a kid, and to think that I was actually performing there was a big deal, a very exciting evening.
julies65: Favourite song Guys 'n' Dolls recorded?
Thereza: 'There's A Whole Lot Of Loving'.
julies65: You had some great fans in the Guys 'n' Dolls days, do you recall any memorable moments meeting them?
Thereza: There was always the die-hards waiting outside the BBC. That was always nice, especially when you were travelling a lot and were very tired, and you always had the same little gaggle of people, it was nice.
julies65: Any stage outfits you didn’t like?
Thereza: Heaps (Thereza laughs). I didn't like the yellow jacket very much, and there's a very odd looking outfit on a German record cover with a florally skirt and white shirt, very odd, not me at all, I don't know what was going on there. I think I got it right more that I didn't, I got it right more than I got it wrong, but there are a few big errors of judgment.  In Guys 'n' Dolls we all wore the same white suits, trouser suits, horrible!
julies65: What has been the strangest thing given to you by a fan in either your Guys 'n' Dolls or Dollar days?
Thereza: I used to get boxes of chocolates and flowers, I don't think I got anything weird. All nice things and lovely letters, lots of lovely letters.
julies65: Lastly, how did it feel when you all met up again for the reunion in 2008, and are you all still in touch? Many thanks Thereze, Julie.
Thereza: We are all still in touch and it was lovely. It was actually a really really fun weekend, we had a blast, it was really really good fun.

Jamie: Hi Thereza, hope you are well. A couple of questions for you if I may. I consider 'Videotheque' only peaking at number 17 to be pops biggest travesty! Which Dollar release were you most disappointed with the chart performance of?
Thereza: I think probably 'Give Me Some Kinda Magic' that should have been a good solid hit record. Especially coming after the first four, I think it deserved to do better than it did.
Jamie: Which Dollar song that you didn't write do you most wish you had? Many thanks xx
Thereza: Probably 'Give Me Back My Heart'.

kennethkdj: Not really a question, just a thank you for the good times that your voice always brings back to me, especially 'Love's Gotta Hold On Me' and 'Pink And Blue'. Also for the sheer glamour that you oozed from the screen. Thank you forever fan, Ken Jones
Thereza: Ahh, that's nice.

SeanB: When David re-recorded the Dollar hits in the 90s were you approached to participate?
Thereza: No, and I didn't know anything about them.
SeanB: Who is your favourite female vocalist, and are they an influence on your singing style?
Thereza: My favourite female vocalist is Karen Carpenter, and yes, a huge influence. Not that my voice is anything like hers, it's what I grew up with, and ABBA of course, who I love to pieces.

clooneyclone: Hi Thereza, please may I ask you what memories do you have of working with Arif Mardin?
Thereza: Well, very special, such an incredible history of working with some of the great artists. Very humorous person, also very interested in the English technique of recording, and he used to pick my brains a lot. He really wanted to know how Trevor got the productions that he did, so we spent a lot of time in the studio talking about record productions, sounds and things. He was a lovely guy, lovely.
clooneyclone: Did you ever meet Tracey Ullman after she impersonated you in the 'Dollop' sketch on 'Three Of A Kind'?
Thereza: No, I wish I had, it was really funny, gorgeous!
clooneyclone: Did Dollar consider going on tour around the time of 'The Dollar Album'?
Thereza: I think we considered going on tour, put it down to management problems, just not enough control to put it all together.
clooneyclone: Whatever happened to Tommy J?
Thereza: I don't know, I'm not sure. Hopefully he's still recording, doing his thing.
clooneyclone: Where you able to keep David's ego in check during Dollar's heyday? He seemed so out of control back then!
Thereza: I always did my best. I don't know how to answer that really. I did my best, David is David.
clooneyclone: Is Australia all it's cracked up to be, and would you ever move back to the UK? Thanks Thereza, best of luck with everything! xx
Thereza: Australia's a pretty good place, it's changed a lot in the last ten years. Would I consider coming back to the UK? Erm, yes I would, I'd love to split myself and I think that's highly possible, especially now my boys are older. The younger one is 16 so he's becoming quite independent, he's at the Australian ballet school, I'm very proud of him, he's doing really really well. And the older one's just started an audio engineering course, and he's going to do his second year in the UK. So I don't know, I still feel I'm being gravitated back to the UK, so we'll see.

Sentinal: Dear Thereza, do you come from a show business background and, as a sixteen-year old, did your family support/oppose your entry into such a tough and competitive world?
Thereza: No, I don't come from a showbiz family although my Dad was a semi-professional Jazz guitarist, so that's where I get my musical leanings from. They were supportive, although I didn't give them any choice in the matter because I just said I'm doing it. So they didn't try and stop me but they wouldn't have been able to anyway. I think they were a bit anxious, but they were supportive.
Sentinal: How did you find your first work in the business, and what was it?
Thereza: I auditioned for a Pantomime to get my equity card, they were advertising for various small people to be dwarfs in Snow White which was non speaking parts. And I went and auditioned, and after hours and hours of auditioning I was offered the leading role of Snow White. So that was my first job in Paignton in Devon. I can tell you what I did for my audition, I sang 'Ding Dong Ding A Ling Dong', that was my song. And I did a piece of Puck from Shakespeare from 'A Midsummer Night's Dream', I can't remember what the dance was. And that's what I did. I think I must have auditioned about five times in one day, and the last time it was about 6 O'Clock, and everyone had gone home and I was sitting there thinking this is an awfully hard audition to just get a non speaking part to get my equity card. That's what I thought, I was so stupid, so silly, I was like a baby. (Thereza laughs).
Sentinal: Were you on your own or with a partner/partners/friends?
Thereza: I was on my own.
Sentinal: What did you do for your first auditions, and what was required for both The New Seekers and Guys 'n' Dolls auditions?
Thereza: I never auditioned for The New Seekers, but for Guys 'n' Dolls again my choice for an audition for a pop group was 'Somewhere' from 'West Side Story' and the same piece of Shakespeare... Shakespeare, for a pop group!!!!!! (Thereza laughs). And they did asked me the question where do I live and how old are you, and I said I'm 17 and I live at home with my parents. They said how would they feel if you were travelling around the country? I said as long as I phone my Mother every night and told her where I was I think it would be OK. They must have thought, putty in our hands!!!! (Thereza laughs).
Sentinal: How long were you in the United States and what else did you do there professionally apart from recording 'The Big Kiss' and Gotcha!?
Thereza: Nothing else, it was enough to do that. I think I was there for about five months.
Sentinal: What is the story behind you singing the film title song?
Thereza: I was just offered it, I was managed briefly by Bud Prager, who was the manager of Foreigner the rock band. He had a contact at Universal and just got me the job.
Sentinal: How did you and David go about writing songs, and how did the process change when working with other collaborators for instance on 'The Big Kiss' album, and with Glen and Burns?
Thereza: I think when you're song writing/collaborating it's never always 50/50. Like sometimes you can come up with an idea and then in the writing process you can get stuck and then you'll find that someone will just give you the spark to continue, or vice versa. I think with David, it was not always equal but there was minimal input sometimes and more input other times. It was more a case of just getting the job done.
Writing with my co-writers for 'The Big Kiss' was the most educational extraordinary experience, they were the cream of British writers and I got the opportunity to work with them, and it was an amazing experience writing with these guys. Sheer brilliance, the songs, I've never been more proud of anything really than the quality of the songs on 'The Big Kiss', really really good songs.
Sentinal: Which compositions are you most proud of?
Thereza: Apart from 'Love's Gotta Hold On Me' which I'll always has a soft spot for. I remember plonking around on the piano, I'm a shocking pianist, but I remember writing the first few melodies to that and thinking this is nice. 'The Big Kiss' album I'm very proud of, I just wish that it had had a chance to be heard.
Sentinal: Can you play any musical instruments and if so, at what level?
Thereza: I play guitar and piano extremely badly (Thereza laughs) but I'm getting better at programming on the computer now, like song writing. I programme very badly, but it's better than playing live.
Sentinal: Had you not achieved your show business ambitions, what other career(s) would you have pursued? Thanks, Mike.
Thereza: Something in the entertainment world, being involved in TV, dance or film. Or teaching singing to kids which I have done, which is also very rewarding, I love doing that.

stevespilsby: Thereza, thank you for the wonderful music over the years. My question to you is, what are your plans for the future, do you have anything you've not yet done that you'd really like to musically or otherwise! Thank you, Steven.
Thereza: Heaps and heaps of things that I haven't done musically that I want to do, and intend to do in the near future. So watch this space!

Sean: Hi Thereza, thank you for agreeing to answer these questions... I'm really looking forward to reading your answers. Here's a few questions from me. Can you remember the first professional job you did in the entertainment business?
Thereza: Snow White.
Sean: Your name has been spelt and pronounced quite a few different ways over the years, which is the correct spelling and pronunciation?
Thereza: OK, on my birth certificate it's Theresa, and then professionally I started spelling it with a Z very early on because Bazar is my real name, my maiden name. So I thought the two Z's looked good together. I always thought that southern England pronounce it Theresa (Sean: as in trees are), and every time I went up north everyone would say Thereza (Sean: as in trays are). So I just thought that's obviously a border thing you know. And Theraze, I don't know where that came from. Peter Powell would always say Theraze Bazar, always. You can't really pick people up. Who cares (Thereza laughs) so long as they are kind of close that's fine, it doesn't matter.
Sean: Do you know why 'Mirror Mirror' wasn't released as a 12" single like 'Hand Held In Black And White' was? It would have made a great extended version!
Thereza: I don't know, maybe they spent all their money on the video clip and couldn't afford to get the 12" made probably. It's Warners fault, blame them.
Sean: Did you ever meet any members of ABBA during the late 70's/early 80's?
Thereza: Well, Funny you should ask that, we were actually on a plane with ABBA! I was so excited, I don't know where we were flying from or to, it was so sweet, we actually wrote a little note. It was a local European trip, so they must have been in business class. We asked one of the flight attendents to take up the note to introduce ourselves and to say who we were and would they be interested in producing us. They didn't reply, it was so sad. How cute was that though, we actually wrote them a note... I love that. (Thereza laughs). I was so excited, my goodness, I love ABBA.

A FINAL WORD FROM THEREZA

"I'm sitting here with Sean answering these questions and with another person Alan Connor.
Keep your eyes and ears open on the website because something very very very exciting will be happening very soon."